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| Gallery renovation in progress. |
Sunday, January 30, 2011
Thursday, January 20, 2011
Everyday Objects
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| Bedside Bulldog Upside Down |
The Bedside Bulldog sculpture works better upside down. Otherwise it looked too much like a table. This was a piece I created after the New Music Sketch. We are doing our first public performance of the New Music Sketch at the Woman's Club of Minneapolis on Feb. 4th. Email me (patrick(at)patrickpryor(dot)com) if you want to participate in the madness as an audience member.
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| Urchin Pillow Spilling Out |
Urchin Pillow torn open. While in New Zealand I experimented with the broken urchin exoskeleton. I used paper to simulate something spilling out of it. The Maori collect the urchins in great quantities and eat the roe. I collected and ate a lot of it while I was visiting. The insides of the urchin spilling out exaggerates the volume of material that actually comes from a single urchin. The pillow indicates preciousness. The piece is about sustenance; inside versus outside; and preciousness. I am still trying to figure out what I am trying to say, and I am quite happy to have discovered how much more impact the piece has now that I've ripped open the pillow.
New Paintings
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| Red Medium, 36 x 36 inches, acrylic on canvas |
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| Yellow-tailed Squirrel Jockey, 30 x 30 inches, acrylic on canvas |
More on the website
Thursday, January 13, 2011
Artist Statement January 2011
Everything I do now is something that I did as a child; only now I do it bigger. When I was a child I would find things that other people were throwing out and I would build other things out of them. When I found bones in the woods I would collect them, when I found bugs I would collect them, and of course when I found a baby raccoon I kept it as a pet. I did not care for normal toys; I would rather try to revive store-bought chicken hearts with batteries and re-assemble their skeletons after dinner.
I work with abstract yet recognizable forms that are familiar, conjure memories, or hold power. I find myself drawn to physical structure, and I am interested in spontaneous immediate compositions, as I have no patience for anything requiring tediousness. I use play to generate ideas with humor, beauty, and madness.
I work with abstract yet recognizable forms that are familiar, conjure memories, or hold power. I find myself drawn to physical structure, and I am interested in spontaneous immediate compositions, as I have no patience for anything requiring tediousness. I use play to generate ideas with humor, beauty, and madness.
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